![]() ![]() The hour-long radio adaptations were generally quite well done, and many ("It's a Wonderful Life" for example) are extremely popular choices for audio theatre groups today. In 1945, DeMille left the hosting job over an actor's union dispute and was replaced for most of the next decade by William Keighley. Even though a writer may justifiably believe that his script has been. The allure of Hollywood, the highly-paid big-name stars and films were what got the audience to tune in behind the scenes however it was pure radio with a top collection of faceless radio players handling the lion's share of the work. Movie mogul Samuel Goldwyn once famously referred to screenwriters as. DeMille (and later, William Keighley) introduce another radio adaptation of a famous Hollywood film, almost always with the film's original actors in the starring roles.įor two decades, from 1936 until 1955, Lux (the family of soap products from Lever Brothers) sponsored this highly successful program. Ocrdetectedscript Latin Ocrdetectedscriptconf 1.0000 Ocrmoduleversion 0.0.15 Ocrparameters-l eng Oldpallet IA-NS-1300315 Openlibraryedition OL28821718M Openlibrarywork OL20221037W Pagenumberconfidence 85.38 Pages 346 Partner Innodata Pdfmoduleversion 0.0. CB Demille "directs" another Lux show "Lux presents.Hollywood!" It's said that 40 million listeners tuned into the Lux Radio Theater to hear Cecil B. ![]()
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